Verlinde added STAGEMAKER SR to its new generation STAGEMAKER SR hoists
5/6/2014
Verlinde has added a heavy loads version to its range of new generation STAGEMAKER SR hoists. With its one-metric ton lifting capacity, Stagemaker SR10 is ideal for the handling of grids and scenographic equipment of large capacity. STAGEMAKER SR hoists are the only ones on the market to be equipped as standard with double brake, special CHAINFlux® chain guide, patented Perfect Push® hoist load wheel, retractable carrying grips and protective rubber coating where necessary.
The Stagemaker SR range thus offers the most appropriate model for a specific application. SR2 for loads to 250 kg, SR5 to 500 kg and now the SR10 for loads to 1000 kg.
STAGEMAKER SR10 is available with lifting speeds of 4m/min or 8m/min. Versions A or B are available for all models. Version A is fitted with a motor with DC voltage control whereas the version B motor has low voltage control. Its new black painted ergonomic design suits any environment especially where industrial light grids are installed. Exactly like the SR2 model (capacity 250 kg) and SR5 model (capacity 250 kg), it is fitted with retractable handles for transportation to prevent the risk of injury during assembly and ensuring excellent compactness when retracted. Shock-absorbing rubber pads also protect it from impact during manipulations.
STAGEMAKER SR10 is fitted with the best available safety devices to meet current standards and regulations. The new model of STAGEMAKER SR10 is delivered as standard with a double lifting brake system to make it directly D8+ compatible ("D8+ Ready", tare calculated by dividing the rated capacity by 2) making this lifting unit the only hoist on the market with this level of safety as standard. Furthermore, it incorporates a new, unique hoist load wheel concept with intermediary wheels for the chain drive (Perfect Push®) together with a chain guide system (CHAINFlux® MKII). With the new torque limiter, the positioning of the clutch in the gearbox ensures the load is securely held by the brake whatever the operating conditions. The electrical limit switch as standard equipment on the version B means that maximum high and low positions of the lifting hook cannot be exceeded by the operator.
Three levels of finish are offered for flight cases with the STAGEMAKER SR range: Premium, Eco, Basic. The storage cradles for mobile hoists made of curved steel profiles are movable to facilitate width adjustments according to options fitted on the motor. The "Basic" version is a maintenance tray with solid birch panels, 2 handles fixed to the side supports, stackable trays with 2 runners on the topside and a separate space for the chain. The "Eco" version is fitted with a hinged lid, 9 mm film-coated solid birch panels, 2 sunk butterfly clasps, 2 lid stops, 4 sunk sprung handles, 4 x D100 castor wheels 2 of which can be locked onto runners. It is fitted out with movable steel cradles for single or double brake (adjustable) versions, and 2 chain trays in the middle. The "Premium" version incorporates very tough 9 mm thick panels with a hexadecimal black finish, 2 sunk butterfly clasps, 2 lid stops, 4 x D100 castor wheels 2 of which can be locked onto runners, 8 sunk sprung handles, protective side runners, inspection portholes, production plate and 4 stacking trays.
The Federal's pistol slid into its holster and his sabre flashed out. He threw its curved point up in a splendid salute. Ferry saluted with his straight blade. Then both swords rang back into their scabbards, and Jewett whirled away toward his column. For a moment we lingered, then faced to the left, trotted, galloped. Over the fence and into the road went he--went I. Down it, as we crossed, the blue column was just moving again. Then the woods on the south swallowed us up. "All right, sir." that before. Meanwhile the parallelism between Thought and Extension was not exhausted by the identification just analysed. Extension was not only a series of movements; it still remained an expression for co-existence and adjacency.412 Spinoza, therefore, felt himself obliged to supply Thought with a correspondingly continuous quality. It is here that his chief originality lies, here that he has been most closely followed by the philosophy of our own time. Mind, he declares, is an attribute everywhere accompanying matter, co-extensive and co-infinite with space. Our own animation is the sum or the resultant of an animation clinging to every particle that enters into the composition of our bodies. When our thoughts are affected by an external impulse, to suppose that this impulse proceeds from anything material is a delusion; it is produced by the mind belonging to the body which acts on our body; although in what sense this process is to be understood remains a mystery. Spinoza has clearly explained the doctrine of animal automatism, and shown it to be perfectly conceivable;569 but he has entirely omitted to explain how the parallel influence of one thought (or feeling) on another is to be understood; for although this too is spoken of as a causal relation, it seems to be quite different from the logical concatenation described as the infinite intellect of God; and to suppose that idea follows from idea like movement from movement would amount to a complete materialisation of mind; while our philosopher would certainly have repudiated Mr. Shadworth Hodgson’s theory, that states of consciousness are only connected through their extended substratum, as the segments of a mosaic picture are held together by the underlying surface of masonry. Nor can we admit that Spinoza entertained the theory, now so popular, according to which extension and consciousness are merely different aspects of a single reality. For this would imply that the substance which they manifest had an existence of its own apart from its attributes; whereas Spinoza makes it consist of the attributes, that is to say, identifies it with their totality. We are forced, then, to conclude that the proposition declaring thought and extension to be the same thing570 has no413 other meaning than that they are connected by the double analogy which we have endeavoured to explain. “Oh, he’s welcome to it,” Sandy cried. “I’ve turned over a new leaf!” “But—are they?” He pulled a wire out a trifle from the sheath. The sergeant spent more time upon the oaths with which he embellished the counter-question as to how he should know anything about it, than would have been consumed in a civil explanation. "Doctor, he can't die. He mustn't die," said Shorty in agony. "The regiment can't spare him. He's the best soldier in it, and he's my pardner." AND ENTERS UPON HIS PARENTAL RELATIONS TO LITTLE PETE SKIDMORE. "Holy smoke, look there," gasped Monty Scruggs, as a company of rebel cavalry came tearing over the hill in front, to the assistance of their comrades. "That's about it," answered Shorty disdainfully. "That's the way with all cavalry, dad-burn 'em. They're like a passel o' fice pups. They're all yelp and bark, and howl and showin' o' teeth. They're jest goin' to tear you to pieces. But when you pick up a stone or a club, or git ready to give 'em a good kick they're gone, the devil knows where. They're only an aggravation. You never kin do nothin' with 'em, and they kin do nothin' with you. I never kin understand why God Almighty wasted his time in makin' cavalry of any kind, Yank or rebel. All our own cavalry's good for is to steal whisky and chickens from honest soldiers of the infantry. The infantry's the only thing. It's like the big dog that comes up without any special remarks, and sets his teeth in the other dog. 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